CONDUCTOR PAUL NADLER  
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Press Commentary

CONDUCTOR PAUL NADLER
Press Commentary

Schumann Spring Symphony, Victoria Symphony: 

 "…Paul Nadler and the Victoria Symphony concluded Sunday’s concert
with a spectacularly successful account of Schumann’s Spring Symphony, beautifully played and almost miraculously directed.”
                                                                Times Colonist, Deryk Barker

Mahler Symphony No. 1 (“Titan“), SW Florida Symphony Orchestra:

"If any validation was needed for the choice of Nadler over his competition of last season, the Mahler One performance provided that and more. Never before has the orchestra brought forth the subtleties that lie embedded in music they have played as under this new maestro. All the delicate shades of nuance as well as the cataclysmic drama of Mahler were emphatically etched in clear outline.”       
                                                            
News-Press, Barney Schultz

Rossini “La Cenerentola,”
Pacific Opera Victoria:

“From the opening bars of the overture, Nadler displayed his mastery of the score, leading the orchestra through an exemplary reading. The obvious amount of musical preparation that had been lavished upon the work, resulted in an overall sense of discipline which transmitted itself not only to the orchestra, but also to the singers.”                                                       Opera Canada, Peter Symcox

Puccini “La Bohème,” Florentine Opera:

 “A complete theater master, Paul Nadler, cast the orchestra in as important a role as any of the singers, and conductor Paul Nadler drew an appropriately modulated performance from the Milwaukee Symphony Orchestra.”                   
                                                              
Milwaukee Sentinel

Beethoven
“Fidelio," Metropolitan Opera:

"Mr. Nadler, who made his debut in 1989, is an able conductor…Met audiences should be grateful for him.”                     
New York Times, Anthony Tommasini

“The music surrounding the grave-digging in Act II had superb tension - indeed, a rare tension. And the orchestra had played with wondrous warmth at the beginning of Act I’s quartet.”                                  The Sun, Jay Nordlinger

Strauss "Salome," Opera Cleveland:

"…Paul Nadler shaped the score with a knowing ear for pacing and balance.”  
                                                          
The Plain Dealer, Donald Rosenberg

Schumann Third Symphony , Bucharest Philharmonic:

“The Philharmonic Orchestra…conducted with distinction and great character by Paul Nadler, succeeded in conquering the audience with a level of artistry and professionalism worthy of the greatest stages in the world."            
                                    
                              Muzicaclasica.com

Gounod "Faust" , Opera Naples:

"One could credit the success of this "Faust" to Opera Naples...dream team. That starts with Metropolitan Opera stalwart Paul Nadler conducting, pulling the 38-piece orchestra together as tightly as primer on pine and making every solo virtuoso. It's an amazing feat, given the number of characters and amount of music, with strong orchestral solos, for the opera's brief block of rehearsal time. The musical value of this production explains why the man is in demand all over the planet."
                                                           Naples Daily News, Harriet Howard Heithaus  
 

 

Conductor Paul Nadler's Management:
Cello Bennett Artists LLC
Cello Bennett, Artist Representative
www.cellobennettartists.com
Email:
mcb@cellobennettartists.com 
Telephone: (+1) 646-220-4897


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